A gang of kids chase a chicken through the sidewalks of a Brazilian favela...
... in Fernando Meirelles' and Katia Lund's 2002 masterpiece, City of God.
Showing posts with label classic sidewalks of the silver screen. Show all posts
Showing posts with label classic sidewalks of the silver screen. Show all posts
2018-03-05
2018-03-02
Classic Sidewalks of the Silver Screen #98
Harris K. Telemacher commutes to work on the sidewalks of Los Angeles...
... in Steve Martin and Mick Jackson's 1991 urban comedy, L.A. Story.
... in Steve Martin and Mick Jackson's 1991 urban comedy, L.A. Story.
2016-04-26
Classic Sidewalks of the Silver Screen #97: The Los Angeles / Minneapolis Streetscapes of Purple Rain
To be honest, I was never a huge Prince fan. Even back in the 1990s, after brief pop and rock phases, I was getting into jazz. But that's more on me than on Prince, who, just to be clear, also loved Miles Davis.
But I did love the fact that Prince grew up and lived in Minneapolis. I love the story he told about the city, and how it made our city so much richer and more interesting. I love what he reflected.
In a way, Prince was to Minneapolis as Garrison Keillor is to Saint Paul, and I know which one of the two I'd rather hang out with! (Though if pressed, I'd probably choose to "have a beer" with Garrison, simply because Prince was a weird Jehovah's Witness teetotaler or something and wouldn't drink a beer anyway.)
(Bonus: the top three Prince stories: Charlie Murphy, Kevin Smith, and Questlove.)
For some reason, I didn't watch Purple Rain until about four years ago, but I was captivated by the lost landscape of the film, the downtown Minneapolis full of streetlife, diversity, and edgy art.
But then I looked at the film again, and realized that almost all of the street scenes in Purple Rain are actually downtown Los Angeles, not downtown Minneapolis. I guess I'm pretty naive.
Here are the screen caps from a post I was going to write on this year ago, and never got around to.
And here's the one exception, obviously:

All in all, downtown Los Angeles does a surprisingly decent job at looking like downtown Minneapolis in the 70s/80s. But today, there's almost nothing left of the landscape that Prince was trying to capture in Purple Rain.
Other than First Avenue, that is.
That's what's sad about watching Purple Rain. The very things that the movie celebrate -- the vibrant street life, the mix of black and white, the gritty charm, the sense of open-ness -- are the very things that city policies have spent decades trying to erase. It's less likely that a fateful Prince + First Avenue intersection could take place in today's downtown, where so much of the socially and cultural porous landscape has been solidified in favor of big business and failed attempts to suburbanize the downtown retail landscape.
Block E is the textbook example of this, the block right next to First Avenue. But there are plenty of other spots in the city where the wrecking ball cleared away the downtown's gritty arts scene in favor of "modern" parking, office, and shopping complexes. And there's a good chance that if Prince and others hadn't made it famous, First Avenue might have been one of the victims of downtown "progress" too.
Just something to think about as Minneapolis celebrates the life of Prince...
But I did love the fact that Prince grew up and lived in Minneapolis. I love the story he told about the city, and how it made our city so much richer and more interesting. I love what he reflected.
In a way, Prince was to Minneapolis as Garrison Keillor is to Saint Paul, and I know which one of the two I'd rather hang out with! (Though if pressed, I'd probably choose to "have a beer" with Garrison, simply because Prince was a weird Jehovah's Witness teetotaler or something and wouldn't drink a beer anyway.)
(Bonus: the top three Prince stories: Charlie Murphy, Kevin Smith, and Questlove.)
For some reason, I didn't watch Purple Rain until about four years ago, but I was captivated by the lost landscape of the film, the downtown Minneapolis full of streetlife, diversity, and edgy art.
But then I looked at the film again, and realized that almost all of the street scenes in Purple Rain are actually downtown Los Angeles, not downtown Minneapolis. I guess I'm pretty naive.
Here are the screen caps from a post I was going to write on this year ago, and never got around to.
And here's the one exception, obviously:

All in all, downtown Los Angeles does a surprisingly decent job at looking like downtown Minneapolis in the 70s/80s. But today, there's almost nothing left of the landscape that Prince was trying to capture in Purple Rain.
Other than First Avenue, that is.
That's what's sad about watching Purple Rain. The very things that the movie celebrate -- the vibrant street life, the mix of black and white, the gritty charm, the sense of open-ness -- are the very things that city policies have spent decades trying to erase. It's less likely that a fateful Prince + First Avenue intersection could take place in today's downtown, where so much of the socially and cultural porous landscape has been solidified in favor of big business and failed attempts to suburbanize the downtown retail landscape.
Block E is the textbook example of this, the block right next to First Avenue. But there are plenty of other spots in the city where the wrecking ball cleared away the downtown's gritty arts scene in favor of "modern" parking, office, and shopping complexes. And there's a good chance that if Prince and others hadn't made it famous, First Avenue might have been one of the victims of downtown "progress" too.
Just something to think about as Minneapolis celebrates the life of Prince...
2016-03-28
Classic Sidewalks of the Silver Screen #96
Danny rides his bike to Bushwood...
... in the opening credits of Harold Ramis' (1980) comedy classic, Caddyshack.
[Skip to 3:25.]
... in the opening credits of Harold Ramis' (1980) comedy classic, Caddyshack.
2014-07-23
Classic Sidewalks of the Silver Screen #95
The confrontation under the interstate overpass...
... from the finest capoeira / inner city schools film of the 90s, Shelon Lettich's (1993) Only The Strong.
... from the finest capoeira / inner city schools film of the 90s, Shelon Lettich's (1993) Only The Strong.
Classic Sidewalks of the Silver Screen #94
Pee Wee doesn't sell Francis his bike even though it's his birthday...
... in Tim Burton's (1985) Pee Wee's Big Adventure.
... in Tim Burton's (1985) Pee Wee's Big Adventure.
Classic Sidewalks of the Silver Screen #93
A clandestine Miss Piggy gets harassed by some New York City construction workers...
... and goes to town on some scaffolding, in Frank Oz's (1984) Muppets Take Manhattan.
... and goes to town on some scaffolding, in Frank Oz's (1984) Muppets Take Manhattan.
Labels:
animals,
classic sidewalks of the silver screen,
NYC
2013-10-07
Classic Sidewalks of the Silver Screen #92
Parting is such neurotic sorrow as seen from a New York diner...
... in the ending of Woody Allen's classic 1977 romance, Annie Hall.
... in the ending of Woody Allen's classic 1977 romance, Annie Hall.
2013-04-08
Classic Sidewalks of the Silver Screen #91
It turns out, there is something the corpse collector can do...
... in Monty Python's legendary (1975) Monty Python and the Holy Grail.
... in Monty Python's legendary (1975) Monty Python and the Holy Grail.
2012-11-01
Classic Sidewalks of the Silver Screen #90
Ferris croons on a float...
... in John Hughes' (1986) subtle piece of market propaganda, Ferris Bueller's Day Off.
... in John Hughes' (1986) subtle piece of market propaganda, Ferris Bueller's Day Off.
2012-10-24
Classic Sidewalks of the Silver Screen #89
Roger O. Thornhill / George Kaplan waits at the bus stop in the middle of nowhere...
... in Alfred Hitchcock's (1959) classic suspense North by Northwest.
... in Alfred Hitchcock's (1959) classic suspense North by Northwest.
Classic Sidewalks of the Silver Screen #88
Taggart and Rosewood enjoy a late supper, courtesy of Mr. Foley...
... in Martin Brest's (1984) amusing Beverly Hills Cop.
... in Martin Brest's (1984) amusing Beverly Hills Cop.
2012-10-12
Classic Sidewalks of the Silver Screen #87
Peter and Stephen make it to the store...
... in George Romero's (1978) innovative zombie critique, Dawn of the Dead.
... in George Romero's (1978) innovative zombie critique, Dawn of the Dead.
2012-09-19
Classic Sidewalks of the Silver Screen #85
Maria turns that frown upside down...
... in Robert Wise's (1965) uplifting smash, The Sound of Music.
... in Robert Wise's (1965) uplifting smash, The Sound of Music.
2012-09-14
Classic Sidewalks of the Silver Screen #83
Despite the best advice, Dr. Caligari visits the town clerk...
... in Robert Weine's (1920) expressionist masterpiece, The Cabinet of Dr. Caligari.
... in Robert Weine's (1920) expressionist masterpiece, The Cabinet of Dr. Caligari.
Classic Sidewalks of the Silver Screen #82
Alex and Hannah stroll the mime-tastic streets of Pittsburgh...
... in Adrian Lyne's (1983) sexy Flashdance.
... in Adrian Lyne's (1983) sexy Flashdance.
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